![]() Schuster said nearly all of the set, costumes and props for that show had already been pulled from the warehouse before the fire. The group puts on all its productions at the Greenville Area Community Center, where its production of "A Christmas Story: The Musical" will premiere Friday evening. Ionia Community Theater is holding a bake sale to raise money for the Flat River Community Players, Schuster said. The group started a GoFundMe page to raise $5,000. “We had a beautiful line of military costumes going back to the Korean War, military uniforms, we had Ike jackets from WWII that we’ve lost," Schuster said. While some things can be remade or purchased, many of the group's items cannot be replaced. "It was a handshake situation," Schuster said. Since the group didn't have a formal lease with the owner or insurance, it won't get reimbursed for any of the damage. "I’m like, ‘What are you talking about?’ She’s like, ‘The building’s on fire. She’s just like, ‘Skip, it’s gone,'" Schuster said. from his costume maker, who made many of the costume pieces stored inside the warehouse. ![]() Kent "Skip" Schuster, the president of the theater group said he got a call around 3:30 a.m. "The building is a total loss based upon the age of the building and the fact that it was not structurally sound at the time of our arrival and the extent of the fire. "Upon arrival, our units determined there was an active fire on the first floor," Greenville Public Safety Lt. on Tuesday, fire crews got a report that the warehouse was on fire. A community theater group lost about $100,000 worth of costumes, props and set pieces when a storage warehouse burned down early Tuesday morning.įlat River Community Players have been storing its property in a warehouse on the corner of Charles and Clay Streets in Greenville for the past 10 years. She is passionate about theatre both as an artistic and educational experience.GREENVILLE, Mich. For over 80 years audiences have experienced spectacular productions As a fundamental part of Winston-Salems cultural scene, we invite everyone in the community to exercise their imaginations, stretch their creative muscles, and. This past January, she joined the theatre in a more official capacity and currently serves full-time as both the Company Manager and Costume Shop Manager. The Little Theatre of Winston-Salem is the oldest performing arts organization in Winston-Salem. Since then, she has performed in, designed, directed, and stage managed numerous HT productions. After graduating, Allison spent several years designing and performing for theatres in Greenville, Anderson, and Greenwood, South Carolina and eventually joined Hendersonville Theatre in 2018 when she designed costumes for their production of Stage Kiss. She eventually graduated from North Greenville University in 2017 with a degree in Theatre Design. After spending the majority of her formative years performing and training at Fountain Inn Repertory Experience (Fountain Inn, SC), South Carolina Children’s Theatre, and the Greenville Ballet (Greenville, SC), Allison went on to study design, musical theatre, and art in college. It proves that HT’s secret motto is for 2023 is “Don’t Stop Believin’.” I sincerely hope you’ll have “Nothin’ But a Good Time” at this show.Īllison Starling (JOEY PRIMO/ENSEMBLE) has been involved in theatre and dance since a young age. What you are seeing tonight the culmination of sweat, tears and artistic collaboration, possible beyond what most people believe small theatres can accomplish. In my 20+ years as a director, this show has been the most technically and artistically challenging so far, I could not have done this without our fantastic and supportive staff (Allison, Beth, Don, Michele, Rita, Rowan, and Tate), the largest creative and production team to work on a show since my arrival at HT, the talented Lenora Thom, Matilyn Hull and Amanda McLoughlin, Maddie Anderson (who put their creative hearts and souls into this show), and a brilliant cast who spent hours learning, reviewing, and mastering some of the most complex vocals and intense choreography to ever grace our stage. I took a big gulp, but also applied to direct the show knowing I would be devastated if I didn’t take it on. Instead, everyone love the idea, and a show was picked to anchor our 2023 season. At one of our 2023 first programming selection meetings, I suggested “What if we do Rock of Ages?” I truly thought I would get immediate push back on the size of the show, the complexity, the difficulty of the music, and the technical demands. At the time, I was preparing to direct another 80’s rock musical, Footloose, and wondered if this new show would succeed and eventually become available to community theatres.įast forward 12 years, a move to a new state AND a pandemic, I found myself as the Artistic Director of HT. Like most Gen X-ers, the fondness for the music we grew up with never went away. In 2009, I vaguely became aware of a new jukebox musical featuring the music of the “hair” bands of the 1980s.
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